Home Yachts Azimut’s Recent Fly 72

Azimut’s Recent Fly 72

Azimut’s Recent Fly 72

When Giovanna Vitelli picked up the telephone to name architect and designer Fabio Fantolino, the Azimut-Benetti Group Chairwoman knew what she was in search of: one other decisive step within the updating of Azimut’s choices.

An improve of the Azimut 72 designed by the late Stefano Righini with interiors by Carlo Galeazzi, the brand new Fly 72 is amongst Azimut’s newest fashions to function an exterior by Alberto Mancini – now liable for most new S, Fly and Grande collection designs. Nevertheless, for the interiors, Vitelli needed to work for the primary time with Fantolino, regardless of the actual fact he had by no means labored on the design of a yacht.

“They sought out my studio for the interiors after they’d fastidiously examined our kinds and analysed the market sectors that our work would enchantment to,” Fantolino recollects. “They had been trying to improve on class.”

The improve the Azimut-Benetti Group is reaching for with the revamp of its product line is sweeping. Aims additionally embody lighter, extra energy-efficient yachts for a greener, extra sustainable lifestyle at sea.

With the brand new mannequin a part of Azimut’s Carbon-Tech Era, Pierluigi Ausonio’s PLANA studio designed the Fly 72’s naval structure with a hull in GRP and enormous areas of the superstructure and the seaside platform in weight-saving carbon-fibre.

Up high, the carbon-fibre-laminated flybridge is 30 per cent lighter than it will have been if absolutely in-built fibreglass, says the yard. The general discount of weight improves gasoline effectivity and retains the boat’s centre of gravity low, all the time a plus for a planing yacht’s consolation and manoeuvrability.


Mancini has been penning the exteriors of most of Azimut’s new Fly, S and Grande yachts and the consistency of his work has introduced an actual household feeling to the shipyard’s new choices. “I all the time attempt to create a dialogue between conventional and trendy, land-based and seafaring,” Mancini says.

Whereas the yachts he has designed for Azimut have lengthy sweeps of glass that deliver a number of mild into the interiors, Mancini by no means designs what he calls “glass shoebox yachts” and all the time retains his strains fluid, particularly when designing a flybridge yacht that’s sporty in its essence.

“As a designer, I really feel I ought to coax homeowners again right into a extra seafaring world as a result of it’s essential to not neglect that we’re at sea and should respect it.”

To entry the ocean, the transom has a high-low swim platform with a fold-down ladder. The hydraulic gangway is telescopic, whereas the storage can retailer a 4m tender and a jetski, plus there’s a further storage locker for toys equivalent to Seabobs and diving tools.

Up the steps, the aft cockpit has a cushty C-shaped couch and a desk in artificial stone. Shaded by the flybridge overhang, the world additionally has a moist bar that may be closed off to maintain a clear look.

A starboard staircase results in the big flybridge, which has an open aft part that homeowners can arrange as they want to benefit from the views by way of a glass balustrade topped by a slender chrome steel rail.

The carbon-fibre laborious high has a gap central part and shades an space with couches, a desk and a full out of doors galley. The helm station has Raymarine contact screens, whereas the world round it may be arrange with a desk or solar pads.

The foredeck can also be distinctive and advantages from the additional house supplied by the trapezoidal bow form. Couches and solar pads could be shaded by a hydraulically operated bimini with out the fuss of mounting awnings on poles. And the bow’s accentuated flange means water is deflected off the foredeck, so no shock splashes.


Nevertheless, it’s all change inside, after Fantolino responded positively to Vitelli’s request to design the Fly 72’s interiors. “When somebody calls your studio, you realize they’re in search of your model. Her ideas on the undertaking and Azimut’s goal for the yacht matched ours. From there, we had an optimum working relationship and made an ideal staff,” he says of his first yachting undertaking.

“It was a problem, however being an architect is all the time a problem. If you’re known as to work in a brand new sector, it’s all the time a pleasure as a result of it’s a brand new world, a brand new alternative to precise your self. I’m all the time pushing my design consolation zone; that’s the enjoyment in my line of labor.”

Fantolino and his studio began the undertaking with a market evaluation, and had been stunned at what they discovered. “We didn’t anticipate the nautical world to be so remoted from the remainder of the design world. It appeared area of interest and possibly a bit unique as much as about 10 years in the past, then the design world accelerated, and tendencies modified,” he says.

“The world of transversal design moved forward whereas nautical design dropped again. It didn’t look area of interest anymore. It simply seemed outdated and wasn’t holding tempo.”

Fantolino’s objective was to deliver the worlds of nautical and transversal design nearer collectively and create an inside the place class and refinement would even be luxurious.

“Our method was to replace the nautical language with new colors, supplies, shapes and combos. Aboard the Fly 72, we synced luxurious design with yacht design and worldwide design by utilizing contradictions, giving modern strains to basic supplies or creating distinction between straight and curved strains or matte and shiny surfaces.

“The laborious half is discovering the candy spot between distinction and luxury in a smaller house since you should even have stability and equilibrium. We needed to keep away from a puzzle of overlapping areas so the house would really feel bigger and extra open.”


Massive and open is what you are feeling instantly while you enter the saloon and discover lengthy home windows in uninterrupted panes of glass, tender shapes, fascinating textures and muted colors. Fantolino’s studio additionally designed all of the furnishings, from the lamps to the couches and tables, however that wasn’t sufficient for Fantolino.

“Aboard a yacht, the outside is all the time close by, and also you don’t need to distract from the views, however you continue to need a wow impact while you enter the inside,” he says. The wow is the galley, which Fantolino recollects as being tough to design.

“But it surely was additionally the spot that gave us the best satisfaction because it offers persona to the inside. Working with a single point of interest was essential as a result of on a yacht all the pieces is bodily near you. Company ought to take pleasure in being inside, so designers should lighten issues up. That’s harder in a smaller house.”

The galley’s design, with its serving station dressed up in colored wooden, is spectacular. Its central location with the eating space throughout from it makes it a convivial, social space and suits the way in which we reside right this moment, particularly once we’re on trip. Fore of the galley is the helm and a good crew dinette or video games desk to port.


Decrease-deck lodging incorporates a VIP cabin fore with a centrally positioned mattress that advantages from the additional width supplied by the trapezoidal bow. The total-beam homeowners’ cabin is midships and has massive, single-pane hull home windows in structural glass, a central mattress and plenty of storage. A TV is hid behind a magic mirror on the foot of the mattress and there’s even a secure within the closet.

There are two additional visitor cabins, whereas a separate crew space can sleep two. The look all through is constantly fashionable, due additionally to the truth that Fantolino has considered all the pieces, proper right down to the faucets within the loos.

“Chromed taps are usually not in style anymore,” he says of a small element that may make an enormous distinction. “Perhaps within the nautical world, no person realised the market was trying forward and that folks didn’t need the identical outdated factor.”

Interiors apart, Fantolino admits to having fun with his time spent aboard the Fly 72 throughout sea trials, even when he wasn’t centered on the ability and efficiency equipped by the dual 1,400hp MAN V12 engines.

“It was a stunning expertise to work on this new world, because it’s very completely different from something we had achieved earlier than. You’ll be able to study managing the storage areas and work inside the limitations of supplies, and I thank Azimut for serving to us to keep away from some errors,” he admits.

“The toughest half about nautical design is making a smaller house really feel mild. The design and high quality of supplies have to impress, and there are limits on the supplies you should utilize, however inside these limits you possibly can nonetheless take lots of steps to lighten the sensation. That stated, the expertise of being aboard the yacht on the water was even higher than I assumed it will have been. I wouldn’t change a factor.”


This text was first seen on yachtstyle.co.

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